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The earliest samplers were created by young women learning needlework during the late sixteenth and seventeenth centuries. Their purpose was to provide the inexperienced needlewoman with a practical guide for stitches and motifs while giving her the opportunity to practise them. Once completed on a long strip of linen the sampler would be rolled up and kept for future reference. However, during the eighteenth century this practical exercise was combined with another purpose. As the shape of the sampler changed from a strip to a rectangle so its form changed from what was essentially a practise sheet to a carefully planned pictorial composition arranged symmetrically within a border. By the time this example was stitched in 1810 this was the standard format. It was also common to include quotations from religious or literary sources, usually with a moralising overtone. Some of the subjects depicted in this sampler, such as the stags and insects, can be found in other samplers elsewhere and may have been derived from a common published source or teacher.

AttributesValues
rdf:type
rdfs:label
  • 1810, England
rdfs:comment
  • The earliest samplers were created by young women learning needlework during the late sixteenth and seventeenth centuries. Their purpose was to provide the inexperienced needlewoman with a practical guide for stitches and motifs while giving her the opportunity to practise them. Once completed on a long strip of linen the sampler would be rolled up and kept for future reference. However, during the eighteenth century this practical exercise was combined with another purpose. As the shape of the sampler changed from a strip to a rectangle so its form changed from what was essentially a practise sheet to a carefully planned pictorial composition arranged symmetrically within a border. By the time this example was stitched in 1810 this was the standard format. It was also common to include quotations from religious or literary sources, usually with a moralising overtone. Some of the subjects depicted in this sampler, such as the stags and insects, can be found in other samplers elsewhere and may have been derived from a common published source or teacher. (en)
  • Sampler, signed Hannah Smith, 1810 (en)
  • Sampler on fine wool canvas with silk embroidery; mainly cross stitch, also some tent stitch and chain stitch. (en)
sameAs
dc:identifier
  • 1375-1900
P3 has note
  • The earliest samplers were created by young women learning needlework during the late sixteenth and seventeenth centuries. Their purpose was to provide the inexperienced needlewoman with a practical guide for stitches and motifs while giving her the opportunity to practise them. Once completed on a long strip of linen the sampler would be rolled up and kept for future reference. However, during the eighteenth century this practical exercise was combined with another purpose. As the shape of the sampler changed from a strip to a rectangle so its form changed from what was essentially a practise sheet to a carefully planned pictorial composition arranged symmetrically within a border. By the time this example was stitched in 1810 this was the standard format. It was also common to include quotations from religious or literary sources, usually with a moralising overtone. Some of the subjects depicted in this sampler, such as the stags and insects, can be found in other samplers elsewhere and may have been derived from a common published source or teacher. (en)
  • Sampler, signed Hannah Smith, 1810 (en)
  • Sampler on fine wool canvas with silk embroidery; mainly cross stitch, also some tent stitch and chain stitch. (en)
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P138 has representation
P102 has title
  • 1810, England
is P106 is composed of of
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is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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