This large panel of needle lace comes from Spain. It was probably intended as a cover or frontal for an altar. The lacemaker worked the buttonhole stitching in coloured silks over silver-gilt thread. We call this type of lace 'frisado de Valladolid', after the convents in that region of Spain who produced large quantities of it. It was particularly used to decorate furnishings for the church.
Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance.
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| - This large panel of needle lace comes from Spain. It was probably intended as a cover or frontal for an altar. The lacemaker worked the buttonhole stitching in coloured silks over silver-gilt thread. We call this type of lace 'frisado de Valladolid', after the convents in that region of Spain who produced large quantities of it. It was particularly used to decorate furnishings for the church.
Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance. (en)
- Large panel of needle lace, probably intended as cover or frontal for an altar. The buttonhole stitching is worked in coloured silks over silver gilt thread.
The cover is very faded on the front side through light exposure; colours are much brighter on the back. (en)
- panel of needle lace worked in coloured silks and metal thread, Spanish, 1630-70 (en)
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P3 has note
| - This large panel of needle lace comes from Spain. It was probably intended as a cover or frontal for an altar. The lacemaker worked the buttonhole stitching in coloured silks over silver-gilt thread. We call this type of lace 'frisado de Valladolid', after the convents in that region of Spain who produced large quantities of it. It was particularly used to decorate furnishings for the church.
Even though it still appears colourful, the cover is very faded on the front side through too much exposure to light over a long period. Its colours are much brighter on the back. They show us how it originally looked. When it was first made, the untarnished metal thread would have given it a rich and glittering appearance. (en)
- Large panel of needle lace, probably intended as cover or frontal for an altar. The buttonhole stitching is worked in coloured silks over silver gilt thread.
The cover is very faded on the front side through light exposure; colours are much brighter on the back. (en)
- panel of needle lace worked in coloured silks and metal thread, Spanish, 1630-70 (en)
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P43 has dimension
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P138 has representation
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P102 has title
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is P106 is composed of
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is P41 classified
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is P108 has produced
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is P129 is about
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is P24 transferred title of
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is crmsci:O8_observed
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