About: 1595, Alsace     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : ecrm:E22_Man-Made_Object, within Data Space : data.silknow.org associated with source document(s)

With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Martin Schongauer’s design for the Baptism of Christ engraving of circa 1470-74.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Hans Wechtlin, as well as by Schongauer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.

AttributesValues
rdf:type
rdfs:label
  • 1595, Alsace
rdfs:comment
  • With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Martin Schongauer’s design for the Baptism of Christ engraving of circa 1470-74.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Hans Wechtlin, as well as by Schongauer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
sameAs
dc:identifier
  • 11.148.4
P3 has note
  • With subtlety and dexterity, this tapestry's weavers- who apparently used the monograms AR and ICM- borrowed, enlarged, reversed, and added color to Martin Schongauer’s design for the Baptism of Christ engraving of circa 1470-74.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Albrecht Dürer, Hans Baldung Grien, Hans Schäufelein and Hans Wechtlin, as well as by Schongauer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
P43 has dimension
P138 has representation
P102 has title
  • 1595, Alsace
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
Faceted Search & Find service v1.16.118 as of Aug 04 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3240 as of Aug 4 2024, on Linux (x86_64-pc-linux-musl), Single-Server Edition (126 GB total memory, 3 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software