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"I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439".

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  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (ca)
  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (en)
  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (es)
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  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (ca)
  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (en)
  • "I mestieri de lli mode a Venezia", Venezia, 1997. pàg.100, núm.99: imatge a color. "Voided velvet. Venice? 14th-15th centuries. On a crimson ground, Venetian coins (zechini) are made with weft theads of gold wrapped around yellow silk core; identical fabrics are in Florence and the Orient. The dress of Salome, depicted in a fourteenth-century mosaic in Saint Mark's basilica, is made with a textile of this type. VEnice, Mesei, Centro Studi di Storia del Tessuto e del Costume, fomerly Collection Guggenheim, nr.439". (es)
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