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Fan, in green chagreen case, the mounting of horn-pique with gold stars and figure subjectss. The vellum is painted in pastel colours in Louis XVI style, dated around 1780-90.

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  • 1780 / 1790, France
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  • Fan, in green chagreen case, the mounting of horn-pique with gold stars and figure subjectss. The vellum is painted in pastel colours in Louis XVI style, dated around 1780-90. (en)
  • French, painted silk gauze, watercolour. (en)
  • This fan has a silk leaf embroidered with sequins and highly decorated sticks. These are typical features of fans of the 1780s. A prim young girl is seated with a large, rather untidy woman beside her, while two gentlemen shake hands. It represents a marriage scene, possibly of a bride and groom of different social backgrounds. In England, this was a very popular subject in 18th-century literature. It was the theme of Samuel Richardon’s novel <i>Pamela</i>, published in 1740, and plays such as David Garrick’s <i>The Clandestine Marriage</i> (1766). (en)
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dc:identifier
  • 97-1864
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  • Fan, in green chagreen case, the mounting of horn-pique with gold stars and figure subjectss. The vellum is painted in pastel colours in Louis XVI style, dated around 1780-90. (en)
  • French, painted silk gauze, watercolour. (en)
  • This fan has a silk leaf embroidered with sequins and highly decorated sticks. These are typical features of fans of the 1780s. A prim young girl is seated with a large, rather untidy woman beside her, while two gentlemen shake hands. It represents a marriage scene, possibly of a bride and groom of different social backgrounds. In England, this was a very popular subject in 18th-century literature. It was the theme of Samuel Richardon’s novel <i>Pamela</i>, published in 1740, and plays such as David Garrick’s <i>The Clandestine Marriage</i> (1766). (en)
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  • 1780 / 1790, France
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