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In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs.

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rdf:type
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  • 1556
rdfs:comment
  • In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs. (en)
sameAs
dc:identifier
  • 59.642.32
P3 has note
  • In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs. (en)
P43 has dimension
P138 has representation
P102 has title
  • 1556
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
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