In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs.
Attributes | Values |
---|
rdf:type
| |
rdfs:label
| |
rdfs:comment
| - In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs. (en)
|
sameAs
| |
dc:identifier
| |
P3 has note
| - In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp’s success in trade by sea. This particular type of grotesques became characteristic for Antwerp during the 1540s and 1550s, and is sometimes even specifically referred to as Floris grotesques, although several hands can be distinguished in extant designs. (en)
|
P43 has dimension
| |
P138 has representation
| |
P102 has title
| |
is P30 transferred custody of
of | |
is P106 is composed of
of | |
is P41 classified
of | |
is P108 has produced
of | |
is P129 is about
of | |
is P24 transferred title of
of | |
is crmsci:O8_observed
of | |