About: ultramarine blue (pigment)     Goto   Sponge   Distinct   Permalink

An Entity of Type : skos:Concept, within Data Space : data.silknow.org associated with source document(s)

AttributesValues
rdf:type
dct:created
dct:modified
has broader
preferred label
  • Ultramarinblau natürlich (pigment) (de)
  • azul ultramar (es)
  • azuro oltramarino (pigment) (pt)
  • azzurro oltramarino (pigmento) (it)
  • ch'ün ch'ing lan (zh-latn-wadegile)
  • outremer naturel (pigment) (fr)
  • qun qing lan (zh-latn-pinyin-x-notone)
  • qún qīng lán (zh-latn-pinyin-x-hanyu)
  • ultramarijnblauw (nl)
  • ultramarine blue (pigment) (en)
  • 群青藍 (顏料) (zh-hant)
dc:identifier
  • 300013200
is in scheme
alternative label
  • Lazurstein (pigment) (de)
  • Ultramarin (pigment) (de)
  • Ultramarinblau (de)
  • Ultramarinblau echt (de)
  • azur d'acre (pigment) (fr)
  • azure (ultramarine blue pigment) (en)
  • azurro oltramarino (pigment) (it)
  • azurrum ultramarinum (pigment) (la)
  • azurum transmarinum (pigment) (la)
  • azurum ultramarine (pigment) (la)
  • azzurro ultramarino (pigmento) (it)
  • azzurrum transmarinum (pigment) (la)
  • azzurrum ultramarine (pigment) (la)
  • bleu d'azur (pigment) (fr)
  • genuine ultramarine (pigment) (en)
  • lapis lazuli blue (ultramarine blue pigment) (en)
  • lapis lazuli ultramarine (pigment) (en)
  • lapislazuli (ultramarine blue pigment) (en)
  • lazuline blue (pigment) (en)
  • natural ultramarine (pigment) (en)
  • natural ultramarine blue (pigment) (en)
  • oltremare (pigmento azzurro) (it)
  • outremer (pigment) (fr)
  • pierre d'azur (pigment) (fr)
  • royal blue (pigment) (en)
  • ultramar (pigment) (en)
  • ultramarine (blue pigment) (en)
  • 天青藍 (zh-hant)
  • 海天青 (zh-hant)
scope note
  • A natural inorganic blue pigment with slight red cast made from the ground, separated blue particles (lazurite) from the gemstone lapis lazuli. It has good fade resistance, fair transparency, but poor resistance to acids. It was the most expensive pigment in Western Medieval and Renaissance painting and manuscript illumination, generally reserved for the robe of the Madonna or another prestigious figure. It darkened with age, thus the synthetic variety was developed in the 19th century; blue deposits on the walls of lime kilns had been used earlier to produce a similar pigment, "artificial ultramarine blue." (en)
  • 一種具有少量紅鑄的天然無機藍色顏料，以寶石青金石磨碎、分散後的藍色粒子（藍銅礦）製成。群青藍不會褪色、透明度佳，但卻無法抗酸。這是西方中世紀和文藝復興時期繪畫和手稿彩圖中最昂貴的顏料，通常特別用來繪畫聖母瑪利亞或另個具聲望人物的袍服。因為天然群青藍會隨著時間變深，因此十九世紀時開始發展合成群青藍。之前曾利用石灰窯牆上的藍色沈澱物來製造相似的顏料，即「人造群青藍」。 (zh-hant)
is has narrower of
Faceted Search & Find service v1.16.118 as of Aug 04 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 07.20.3240 as of Aug 4 2024, on Linux (x86_64-pc-linux-musl), Single-Server Edition (126 GB total memory, 3 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software