| P3 has note
| - This silk was probably intended for use as a furnishing textile, the vertical disposition and scale of the pattern being suited to wall-hangings or curtains. In the hierarchy of silk products, it was one of the richest because the technique of velvet weaving required skilled weavers (often specialised in this particular technique) and the making of the velvet took a long time (under optimal circumstances, a weaver could progress at the rate of no more than 200 feet in a year). This velvet is particularly complex because it comprises different forms of pile and incorporates metallic threads. It conforms to the usual widths of the period for such textiles (54-60 centimetres).
In Western Europe, expertise in velvet-weaving was restricted at this period to various Italian cities (e.g. Lucca, Florence, Genoa, Venice) and to certain centres in Spain, some of which had gained their knowledge through the import of Italian craftsmen (e.g. Valencia). The first records of velvet production in Lucca, Venice, Florence, and Genoa date to the beginning of the fourteenth century, as do the first records of their presence in royal and papal inventories. While Lucca was the earliest centre, the other three cities competed for leadership in the fifteenth and sixteenth century.
Not surprisingly, velvet weavers earned more than their confreres who specialised in other silk textiles, and their earnings increased in direct proportion to the difficulty of the work involved: in the velvet hierarchy, at the bottom sat the weavers of solid velvets, at the top the weavers of pile-on-pile velvets with brocading and bouclé gold wefts. The former earned about one third of the wages of the latter.
In the sixteenth century sumptuary laws attempted - unsuccessfully - to reduce excessive expenditure on clothing and furnishings, restricting the use of such textiles in dress and forbidding it in canopies, blankets, curtains, and cushions.
For further detail, see Roberta Orsi Landini. 'The Triumph of Velvet. Italian production of velvet in the Renaissance'. In Fabrizio de' Marinis, ed. <i>Velvet. History, Techniques, Fashions</i>. Milan: Idea Books, 1994, pp.20-49. (en)
|
![[RDF Data]](/fct/images/sw-rdf-blue.png)
![[cxml]](/fct/images/cxml_doc.png)
![[csv]](/fct/images/csv_doc.png)
![[text]](/fct/images/ntriples_doc.png)
![[turtle]](/fct/images/n3turtle_doc.png)
![[ld+json]](/fct/images/jsonld_doc.png)
![[rdf+json]](/fct/images/json_doc.png)
![[rdf+xml]](/fct/images/xml_doc.png)
![[atom+xml]](/fct/images/atom_doc.png)
![[html]](/fct/images/html_doc.png)