At the end of the 18th century embroidery designs began to develop into rigid and heavily stylised borders for towels and napkins. The colours of 18th and 19th century embroideries were originally very bright but many have faded to pleasing pastel shades; often great quantities of metal thread were used. Napkins were mainly used to clean fingers during meals, but were also used as decoration and as covers. Their designs were consistently inventive.
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| - At the end of the 18th century embroidery designs began to develop into rigid and heavily stylised borders for towels and napkins. The colours of 18th and 19th century embroideries were originally very bright but many have faded to pleasing pastel shades; often great quantities of metal thread were used. Napkins were mainly used to clean fingers during meals, but were also used as decoration and as covers. Their designs were consistently inventive. (en)
- Towel/Napkin, cotton embroidered with silk in double darning, double running in a line, and musabak stitch, metal thread in double darning and satin stitch and plate in satin stitch.
There is a narrow border of trees, small buildings and large flowering stems. Above this is a solid band of metal thread edged at the front with a row of small pink flowers. Above the band are two motifs: 1) a well filled with blue water and with a bucket suspended from a roller 2) a substantial building in blue with pink windows set against tree-lined hills.One side has been cut and hemmed (en)
- Jameel Gallery
7, 8 Embroidered napkins
Turkey
1830–70
Embroidery was a popular form of decoration in the Ottoman home. Items such as napkins were embroidered with great quantities of colourful silk and metal thread in inventive designs. Images of ornate houses and gardens (the ideal Ottoman home) were fashionable in the 19th century.
These napkins are embroidered with various stitches including <i>muşabak</i>, meaning ‘netted’, a type of openwork found only on Ottoman embroidery. This can be seen most clearly in the green walls of the buildings in the napkin on the left.
Cotton embroidered with silk and metal thread
Museum nos. T.458, 460-1950
Given by Prof. R.M. Dawkins [20/09/2012] (en)
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| - At the end of the 18th century embroidery designs began to develop into rigid and heavily stylised borders for towels and napkins. The colours of 18th and 19th century embroideries were originally very bright but many have faded to pleasing pastel shades; often great quantities of metal thread were used. Napkins were mainly used to clean fingers during meals, but were also used as decoration and as covers. Their designs were consistently inventive. (en)
- Towel/Napkin, cotton embroidered with silk in double darning, double running in a line, and musabak stitch, metal thread in double darning and satin stitch and plate in satin stitch.
There is a narrow border of trees, small buildings and large flowering stems. Above this is a solid band of metal thread edged at the front with a row of small pink flowers. Above the band are two motifs: 1) a well filled with blue water and with a bucket suspended from a roller 2) a substantial building in blue with pink windows set against tree-lined hills.One side has been cut and hemmed (en)
- Jameel Gallery
7, 8 Embroidered napkins
Turkey
1830–70
Embroidery was a popular form of decoration in the Ottoman home. Items such as napkins were embroidered with great quantities of colourful silk and metal thread in inventive designs. Images of ornate houses and gardens (the ideal Ottoman home) were fashionable in the 19th century.
These napkins are embroidered with various stitches including <i>muşabak</i>, meaning ‘netted’, a type of openwork found only on Ottoman embroidery. This can be seen most clearly in the green walls of the buildings in the napkin on the left.
Cotton embroidered with silk and metal thread
Museum nos. T.458, 460-1950
Given by Prof. R.M. Dawkins [20/09/2012] (en)
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| P138 has representation
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| is P108 has produced
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| is P129 is about
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| is crmsci:O8_observed
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