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Haute couture

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rdf:type
rdfs:label
  • 1895, Paris
rdfs:comment
  • Haute couture (en)
  • Day outfit coat and skirt embroidered silk and cotton canvas, designed by Doucet, Jacques , Paris, 1895 (en)
  • This suit might well have been worn for a tour abroad. When it was conserved, reddish-brown dust was found on the surface. Linen was particularly popular for hot-weather travel because it was washable and comparatively lightweight. At this period, women's tailored suits had become very popular. They borrowed details from men's dress, such as wide lapels and exterior pockets. This practical style suited the more emancipated lifestyles women were then leading. Jacques Doucet (1853-1929) was one of the best known and most highly respected couturiers of the late 19th and early 20th centuries. He was famed for his extravagant gowns, tailored suits and luxurious coats. Inheriting a lace and lingerie establishment in Paris, Doucet expanded the family business by opening a couture department in the 1870s. The Parisian elite soon patronised his salon, admiring his taste in fabrics and the meticulous quality and workmanship of his creations. (en)
  • Day outfit coat and skirt embroidered silk and cotton canvas. The jacket is single-breasted, hip-length, seamed and fitted, but with flared and pleated tails. It has curved pockets at the hips. The fancy, stepped collar and the cuffs of the leg-of- mutton sleeves are embroidered in beige silk cord in a formal floral pattern. The skirt has the front panel cut straight and channel-seamed. The back is widely flared with central box- pleats. The fullness is controlled by elastic stays on the inside. The suit is unlined but the seams are bound, and there is stiffening inside the sleeve heads. A label stitched inside the neck has Doucet Paris machine woven in yellow on a beige ribbon. G0841 is written on a tape inside the skirt waist. Beige was a popular colour for travelling clothes because it did not show the dust. When this outfit was washed by the Museum's Conservation Department, it shed quantities of red-brown dust, suggesting it was possibly a souvenir of an Egyptian tour. (en)
sameAs
dc:identifier
  • T.15&A-1979
P3 has note
  • Haute couture (en)
  • Day outfit coat and skirt embroidered silk and cotton canvas, designed by Doucet, Jacques , Paris, 1895 (en)
  • This suit might well have been worn for a tour abroad. When it was conserved, reddish-brown dust was found on the surface. Linen was particularly popular for hot-weather travel because it was washable and comparatively lightweight. At this period, women's tailored suits had become very popular. They borrowed details from men's dress, such as wide lapels and exterior pockets. This practical style suited the more emancipated lifestyles women were then leading. Jacques Doucet (1853-1929) was one of the best known and most highly respected couturiers of the late 19th and early 20th centuries. He was famed for his extravagant gowns, tailored suits and luxurious coats. Inheriting a lace and lingerie establishment in Paris, Doucet expanded the family business by opening a couture department in the 1870s. The Parisian elite soon patronised his salon, admiring his taste in fabrics and the meticulous quality and workmanship of his creations. (en)
  • Day outfit coat and skirt embroidered silk and cotton canvas. The jacket is single-breasted, hip-length, seamed and fitted, but with flared and pleated tails. It has curved pockets at the hips. The fancy, stepped collar and the cuffs of the leg-of- mutton sleeves are embroidered in beige silk cord in a formal floral pattern. The skirt has the front panel cut straight and channel-seamed. The back is widely flared with central box- pleats. The fullness is controlled by elastic stays on the inside. The suit is unlined but the seams are bound, and there is stiffening inside the sleeve heads. A label stitched inside the neck has Doucet Paris machine woven in yellow on a beige ribbon. G0841 is written on a tape inside the skirt waist. Beige was a popular colour for travelling clothes because it did not show the dust. When this outfit was washed by the Museum's Conservation Department, it shed quantities of red-brown dust, suggesting it was possibly a souvenir of an Egyptian tour. (en)
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  • 1895, Paris
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is P129 is about of
is P24 transferred title of of
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