For illustrations of similar but larger pieces of textile still in the Horyuji see Matsumoto Kaneo, Jodai-gire: 7th and 8th Century Textiles in Japan from the Shoso-in and Horyuji, Kyoto: Shikosha, 1984. NAL Bibliographic Ref. No.: 500.F.54
| Attributes | Values |
|---|
| rdf:type
| |
| rdfs:label
| - 8th century
19th century, Japan
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| rdfs:comment
| - For illustrations of similar but larger pieces of textile still in the Horyuji see Matsumoto Kaneo, <u>Jodai-gire: 7th and 8th Century Textiles in Japan from the Shoso-in and Horyuji</u>, Kyoto: Shikosha, 1984. NAL Bibliographic Ref. No.: 500.F.54 (en)
- Small album in a wooden and cardboard box tied with a blue and dark pink ribbed silk ribbon.
The album itself opens concertina-wise and the back and front boards are covered with blue self-patterned silk. Inside the album are pasted 29 very small fragments of embroidered, woven and resist-dyed silk from the Horyuji (a temple in Nara Prefecture).
In the lid of the wooden box is a painted Japanese inscription and this has been translated on a typewritten slip of paper as: ‘These textile fragments were purchased by my revered father at the Horyuji Temple in Meiji 20 (1887) and treasured by him. They are inherited by myself. Kenkichi Tomimoto.’
Written on the same slip in Bernard Leach’s handwriting is: ‘Very early Japanese fine weaving. These 8th cent. fragments were given to me 13.VI.71 as Tomimoto V. old friend from Ishida’. A handwritten label on the bottom of the box reads: ‘From Ishida (Tomimoto’s mistress)’ and then ‘G. Wingfield Digby’ in pencil. (en)
- Album of textile fragments, album containing embroidered, woven and resist-dyed silk fragments, Japan, the fragments 8th century, the album 19th century (en)
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| sameAs
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| dc:identifier
| |
| P3 has note
| - For illustrations of similar but larger pieces of textile still in the Horyuji see Matsumoto Kaneo, <u>Jodai-gire: 7th and 8th Century Textiles in Japan from the Shoso-in and Horyuji</u>, Kyoto: Shikosha, 1984. NAL Bibliographic Ref. No.: 500.F.54 (en)
- Small album in a wooden and cardboard box tied with a blue and dark pink ribbed silk ribbon.
The album itself opens concertina-wise and the back and front boards are covered with blue self-patterned silk. Inside the album are pasted 29 very small fragments of embroidered, woven and resist-dyed silk from the Horyuji (a temple in Nara Prefecture).
In the lid of the wooden box is a painted Japanese inscription and this has been translated on a typewritten slip of paper as: ‘These textile fragments were purchased by my revered father at the Horyuji Temple in Meiji 20 (1887) and treasured by him. They are inherited by myself. Kenkichi Tomimoto.’
Written on the same slip in Bernard Leach’s handwriting is: ‘Very early Japanese fine weaving. These 8th cent. fragments were given to me 13.VI.71 as Tomimoto V. old friend from Ishida’. A handwritten label on the bottom of the box reads: ‘From Ishida (Tomimoto’s mistress)’ and then ‘G. Wingfield Digby’ in pencil. (en)
- Album of textile fragments, album containing embroidered, woven and resist-dyed silk fragments, Japan, the fragments 8th century, the album 19th century (en)
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| P43 has dimension
| |
| P138 has representation
| |
| P102 has title
| - 8th century
19th century, Japan
|
| is P106 is composed of
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| is P41 classified
of | |
| is P108 has produced
of | |
| is P129 is about
of | |
| is P24 transferred title of
of | |
| is crmsci:O8_observed
of | |
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