British Galleries:
This high quality furnishing silk was called 'Alhambresque'. Its title and pattern emphasise the British fascination from about 1840 with the decorative style of the Islamic world. The colour scheme was influenced by illustrations in the publications of Owen Jones on the Alhambra and in his 'Grammar of Ornament' of 1856. [27/03/2003]
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| - British Galleries:
This high quality furnishing silk was called 'Alhambresque'. Its title and pattern emphasise the British fascination from about 1840 with the decorative style of the Islamic world. The colour scheme was influenced by illustrations in the publications of Owen Jones on the Alhambra and in his 'Grammar of Ornament' of 1856. [27/03/2003] (en)
- Furnishing fabric of woven silk. In fleshy scrolls and arabesques in sharp yellow to form a symmetrical pattern on a parti-coloured ground of blue, green, red and black. The blue silk has a satin binding, the rest in bound in 3/1 twill. (en)
- Furnishing fabric 'Alhambresque' of woven silk, possibly designed by Owen Jones, probably woven by Daniel Keith & Co., England, 1855. (en)
- Object Type
This woven silk furnishing would have been used for curtains or upholstery. The designer of this textile is unknown, although the pattern was strongly inspired by the publications of the architect and designer Owen Jones (1809-1874).
Materials & Making
Given to the Museum by the silk weavers Warner & Sons, the silk may have been woven by the firm of Daniel Keith & Co., whose records Warners acquired in 1894. Keiths manufactured high quality furnishing silks and traded from 124 Wood Street, Cheapside, London. Well known throughout the 19th century, the firm exhibited a range of woven tissues, brocades, brocatelles (sumptuous, rigid, ribbed fabrics suitable for battening to walls) and silk damasks at the Great Exhibition of 1851 in London.
Design & Designing
The pattern of this silk shows the popularity of Islamic decoration in Britain in the 19th century. The name of the pattern is 'Alhambresque'. The design is not based on decoration from the Alhambra Palace, Granada, Spain, but on that in the late 15th-century 'New Mosque' in Istanbul. In March 1836 Owen Jones published a series of prints on the decoration of the Alhambra Palace. This was based on drawings he and the French archaeologist and architect Jules Goury (1803-1834) had made in Spain. These studies were published in two volumes in 1842 and 1845 called Plans, Elevations, Sections and Details of the Alhambra. This silk design is not represented in this publication, but its colouring is influenced by these illustrations and those of Owen Jones's later book The Grammar of Ornament. Figure 21 in section 'Turkish No. 1' (plate XXXVI) shows the basic structure of this pattern, described by Jones as characteristically Turkish. (en) |
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| - British Galleries:
This high quality furnishing silk was called 'Alhambresque'. Its title and pattern emphasise the British fascination from about 1840 with the decorative style of the Islamic world. The colour scheme was influenced by illustrations in the publications of Owen Jones on the Alhambra and in his 'Grammar of Ornament' of 1856. [27/03/2003] (en)
- Furnishing fabric of woven silk. In fleshy scrolls and arabesques in sharp yellow to form a symmetrical pattern on a parti-coloured ground of blue, green, red and black. The blue silk has a satin binding, the rest in bound in 3/1 twill. (en)
- Furnishing fabric 'Alhambresque' of woven silk, possibly designed by Owen Jones, probably woven by Daniel Keith & Co., England, 1855. (en)
- Object Type
This woven silk furnishing would have been used for curtains or upholstery. The designer of this textile is unknown, although the pattern was strongly inspired by the publications of the architect and designer Owen Jones (1809-1874).
Materials & Making
Given to the Museum by the silk weavers Warner & Sons, the silk may have been woven by the firm of Daniel Keith & Co., whose records Warners acquired in 1894. Keiths manufactured high quality furnishing silks and traded from 124 Wood Street, Cheapside, London. Well known throughout the 19th century, the firm exhibited a range of woven tissues, brocades, brocatelles (sumptuous, rigid, ribbed fabrics suitable for battening to walls) and silk damasks at the Great Exhibition of 1851 in London.
Design & Designing
The pattern of this silk shows the popularity of Islamic decoration in Britain in the 19th century. The name of the pattern is 'Alhambresque'. The design is not based on decoration from the Alhambra Palace, Granada, Spain, but on that in the late 15th-century 'New Mosque' in Istanbul. In March 1836 Owen Jones published a series of prints on the decoration of the Alhambra Palace. This was based on drawings he and the French archaeologist and architect Jules Goury (1803-1834) had made in Spain. These studies were published in two volumes in 1842 and 1845 called Plans, Elevations, Sections and Details of the Alhambra. This silk design is not represented in this publication, but its colouring is influenced by these illustrations and those of Owen Jones's later book The Grammar of Ornament. Figure 21 in section 'Turkish No. 1' (plate XXXVI) shows the basic structure of this pattern, described by Jones as characteristically Turkish. (en) |
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