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With subtlety and dexterity, this tapestry's weaver- who apparently used the monogram ICM- borrowed, enlarged, reversed, and added color to Albrecht Dürer’s design for the Ascension woodcut in his 1511 Small Passion series.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Hans Baldung Grien, Hans Schäufelein, Martin Schongauer and Hans Wechtlin, as well as by Dürer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century.

AttributesValues
rdf:type
rdfs:label
  • 1592, Alsace
rdfs:comment
  • With subtlety and dexterity, this tapestry's weaver- who apparently used the monogram ICM- borrowed, enlarged, reversed, and added color to Albrecht Dürer’s design for the Ascension woodcut in his 1511 Small Passion series.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Hans Baldung Grien, Hans Schäufelein, Martin Schongauer and Hans Wechtlin, as well as by Dürer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
sameAs
dc:identifier
  • 11.148.1
P3 has note
  • With subtlety and dexterity, this tapestry's weaver- who apparently used the monogram ICM- borrowed, enlarged, reversed, and added color to Albrecht Dürer’s design for the Ascension woodcut in his 1511 Small Passion series.This panel is part of a group of similarly sized scenes from the New Testament, woven across more than two decades, all closely based upon printed prototypes by Hans Baldung Grien, Hans Schäufelein, Martin Schongauer and Hans Wechtlin, as well as by Dürer. Together with other surviving tapestry panels now in the Museum Haus Löwenberg in Gengenbach and spread across private collections, these small, captioned Biblical scenes were probably made on speculation for sale to Protestant individuals and religious institutions in the Strasburg area around the turn of the seventeenth century. (en)
P43 has dimension
P138 has representation
P102 has title
  • 1592, Alsace
is P30 transferred custody of of
is P106 is composed of of
is P41 classified of
is P108 has produced of
is P129 is about of
is P24 transferred title of of
is crmsci:O8_observed of
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