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This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition.

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  • 1508~
rdfs:comment
  • This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition. (en)
sameAs
dc:identifier
  • 49.7.15
P3 has note
  • This is among the earliest devotional paintings of the Madonna and Child by Titian, dating to about 1508. Technical study has revealed that the artist first posed the figures sitting erect and in the center of the canvas, a composition closer to those by Giovanni Bellini. The final pose is more informal and suggests a tender rapport between the mother and child. The picture has been strongly cleaned in the past and has lost much of its delicacy of definition. (en)
P43 has dimension
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P102 has title
  • 1508~
is P30 transferred custody of of
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is crmsci:O8_observed of
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