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This elegantly proportioned, gilded tankard is a late example of its type. The maker, who was a member of a well-known dynasty of goldsmiths, applied a harmonious decoration of late Baroque strapwork surrounding three bases imitating short lengths of decorative drapery, called lambrequins, each supporting an ancient bust. A cast pinecone finial surmounts the double-domed lid like a miniature monument.LiteratureImportant Silver. Sale cat., Sotheby’s, New York, April 7, 1987, n.p., no. 40.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, pp. 108–9, no. 86.ReferencesElemér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkzeichen der Goldschmiede Ungarns vom Mittelalter bis 1867. Budapest, 1936, nos. 130 [town mark], 264 [maker’s mark].[Wolfram Koeppe 2015]

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rdfs:label
  • 1726 / 1775, Brassø
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  • This elegantly proportioned, gilded tankard is a late example of its type. The maker, who was a member of a well-known dynasty of goldsmiths, applied a harmonious decoration of late Baroque strapwork surrounding three bases imitating short lengths of decorative drapery, called lambrequins, each supporting an ancient bust. A cast pinecone finial surmounts the double-domed lid like a miniature monument.LiteratureImportant Silver. Sale cat., Sotheby’s, New York, April 7, 1987, n.p., no. 40.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, pp. 108–9, no. 86.ReferencesElemér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkzeichen der Goldschmiede Ungarns vom Mittelalter bis 1867. Budapest, 1936, nos. 130 [town mark], 264 [maker’s mark].[Wolfram Koeppe 2015] (en)
sameAs
dc:identifier
  • 2010.110.58
P3 has note
  • This elegantly proportioned, gilded tankard is a late example of its type. The maker, who was a member of a well-known dynasty of goldsmiths, applied a harmonious decoration of late Baroque strapwork surrounding three bases imitating short lengths of decorative drapery, called lambrequins, each supporting an ancient bust. A cast pinecone finial surmounts the double-domed lid like a miniature monument.LiteratureImportant Silver. Sale cat., Sotheby’s, New York, April 7, 1987, n.p., no. 40.Judit H. Kolba. Hungarian Silver: The Nicolas M. Salgo Collection. London, 1996, pp. 108–9, no. 86.ReferencesElemér Kőszeghy. Magyarországi ötvösjegyek a középkortól 1867-ig / Merkzeichen der Goldschmiede Ungarns vom Mittelalter bis 1867. Budapest, 1936, nos. 130 [town mark], 264 [maker’s mark].[Wolfram Koeppe 2015] (en)
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  • 1726 / 1775, Brassø
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