This HTML5 document contains 68 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n10https://www.metmuseum.org/art/collection/search/
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n11http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n12http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
provhttp://www.w3.org/ns/prov#
n7http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n5http://data.silknow.org/activity/

Statements

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rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1730~ / 1735~, Venice
rdfs:comment
In shape, the secretary is influenced by English and Dutch examples. Its decoration, imitating Oriental lacquer, consists of cutout and colored prints pasted to the surface and varnished. This technique, known as lacca povera or lacca contrafatta, was employed by professionals and amateurs alike. The skillful use and arrangement of the prints indicate that this piece was executed in a professional workshop.
owl:sameAs
n10:195332
dc:identifier
25.134.1a, b
ecrm:P3_has_note
In shape, the secretary is influenced by English and Dutch examples. Its decoration, imitating Oriental lacquer, consists of cutout and colored prints pasted to the surface and varnished. This technique, known as lacca povera or lacca contrafatta, was employed by professionals and amateurs alike. The skillful use and arrangement of the prints indicate that this piece was executed in a professional workshop.
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ecrm:P102_has_title
1730~ / 1735~, Venice