This HTML5 document contains 22 embedded RDF statements represented using HTML+Microdata notation.

The embedded RDF content will be recognized by any processor of HTML5 Microdata.

Namespace Prefixes

Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n10	https://www.metmuseum.org/art/collection/search/
n6	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n8	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n5	http://data.silknow.org/statement/
n12	http://data.silknow.org/activity/

Statements

Subject Item

n5:f7a4f8e2-ea55-50cb-b860-03436608936c

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n6:745

rdf:subject

n2:b6795237-9c5b-386a-9244-be28050bc43c

prov:wasGeneratedBy

n12:f7a4f8e2-ea55-50cb-b860-03436608936c

silk:L18

0.5645

Subject Item

n5:8de0627b-4ec5-52be-9a06-2597bd71422f

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n6:745

rdf:subject

n2:b6795237-9c5b-386a-9244-be28050bc43c

prov:wasGeneratedBy

n12:8de0627b-4ec5-52be-9a06-2597bd71422f

silk:L18

0.3814

Subject Item

n2:b6795237-9c5b-386a-9244-be28050bc43c

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

1530~ / 1540~, Venice

rdfs:comment

Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis of these two of the zodiac's twelve signs, the original ring has been projected at thirty-two to thirty-eight inches in diameter. Its function can only be surmised. At Sagittarius's top left are faint remains of an inscription, which is mostly filed away. One can discern F. CITA0 (abbreviations formai and anno) and a space for numerals, of which the last may be a two. When first recorded in the mid-nineteenth century, in the fabled Fejérváry-Pulszky collection in Budapest, the fragments were said to be of ancient Roman origin. Working in support of that idea, someone did his best to destroy the inscription's contradictory evidence.

owl:sameAs

n10:233603

dc:identifier

2004.440.2

ecrm:P3_has_note

Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis of these two of the zodiac's twelve signs, the original ring has been projected at thirty-two to thirty-eight inches in diameter. Its function can only be surmised. At Sagittarius's top left are faint remains of an inscription, which is mostly filed away. One can discern F. CITA0 (abbreviations formai and anno) and a space for numerals, of which the last may be a two. When first recorded in the mid-nineteenth century, in the fabled Fejérváry-Pulszky collection in Budapest, the fragments were said to be of ancient Roman origin. Working in support of that idea, someone did his best to destroy the inscription's contradictory evidence.

ecrm:P65_shows_visual_item

n6:745

ecrm:P138i_has_representation

n8:13f88d90-355b-3090-b33a-b8b645e637f5 n8:838e67aa-ddeb-306b-bfbd-7c1f49d9f169

ecrm:P102_has_title

1530~ / 1540~, Venice