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Namespace Prefixes

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ecrm	http://erlangen-crm.org/current/
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Statements

Subject Item

n4:30bf79aa-8732-5329-b499-e17957dc7b99

rdf:type

rdf:Statement

rdf:predicate

ecrm:P65_shows_visual_item

rdf:object

n7:743

rdf:subject

n2:96532db1-051d-3586-b29d-c534622708cb

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n6:30bf79aa-8732-5329-b499-e17957dc7b99

silk:L18

0.7795

Subject Item

n2:96532db1-051d-3586-b29d-c534622708cb

rdf:type

ecrm:E22_Man-Made_Object

rdfs:label

designed 1734–36, woven 1762, Beauvais

rdfs:comment

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also MMA 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (MMA 64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.

owl:sameAs

n12:229095

dc:identifier

64.145.1

ecrm:P3_has_note

Images of gardens were popular in the tapestry medium from the medieval era, where the so-called mille-fleurs (thousand flowers) (see also MMA 2013.506) provided a decorative, and sometimes symbolic, setting for scenes of romance and play. Park and garden tapestries continued to enjoy popularity throughout the sixteenth and seventeenth centuries, particularly for the decoration of more intimate chambers, where they provided a pleasant contrast with the grander subject matter of tapestries used in more formal settings. The theme enjoyed new popularity with the advent of the Rococo style during the eighteenth century, and a number of highly decorative landscape and garden series were produced in French and Netherlandish workshops during the second third of the eighteenth century. Among the most notable was the series of romantic pastorals that Boucher designed for the Beauvais workshops between 1734 and 1736 (MMA 64.165.1–.8). Known as the Fetes Italiennes, and loosely inspired by the idyllic park scenes of Antoine Watteau, this series depicted handsome gentlefolk and peasants in idealized exterior settings.

ecrm:P65_shows_visual_item

n7:743

ecrm:P138i_has_representation

n13:26103ec3-7b0b-305a-88b8-defd955912e7

ecrm:P102_has_title

designed 1734–36, woven 1762, Beauvais