This HTML5 document contains 25 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
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rdfshttp://www.w3.org/2000/01/rdf-schema#
n12https://www.metmuseum.org/art/collection/search/
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n5http://data.silknow.org/vocabulary/
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rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
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xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
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Statements

Subject Item
n2:651927ab-3597-5be4-b5ee-eee80a597937
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n5:743
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n4:866338e8-2d8d-3372-aaca-ae09b7ff196c
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n7:651927ab-3597-5be4-b5ee-eee80a597937
silk:L18
0.3758
Subject Item
n2:6469f56e-6426-5550-a25b-f3ceeca986db
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rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n5:744
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n4:866338e8-2d8d-3372-aaca-ae09b7ff196c
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n7:6469f56e-6426-5550-a25b-f3ceeca986db
silk:L18
0.3636
Subject Item
n4:866338e8-2d8d-3372-aaca-ae09b7ff196c
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1535 / 1548, Brussels
rdfs:comment
A martial commander, richly clad in armor, stands amidst a bustling military encampment, perhaps preparing for departure, with shields, lances, chests and other rich objects piled in front of him. Despite the seeming cohesion of this composition, the design was apparently assembled from a group of existing figure patterns, recognizable from other successful narrative tapestry series designed by artists in the circle of Bernard van Orley and by Pieter Coecke van Aelst. In this instance, the narrative might be that of Iphigenia, the ill-fated daughter of Agamemnon and Clytemnestra, who was sacrificed by her father to appease the goddess Artemis and petition her to enable sailing weather for the Greek fleet waiting to embark from Aulis and invade Troy. It is possible that this tapestry was part of a different edition of the same Story of Iphigenia series, also woven in the workshop of admired, Brussels-based weaver Willem de Kempeneer, inventoried in the collection of François 1er, King of France, in the 1550s (his edition included precious metal-wrapped threads). The tapestry was previously identified in the literature as a Scene from the Old Testament on the grounds of its notable similarity to the Story of David and Bathsheba in the Musée National de la Renaissance, Ecouen.
owl:sameAs
n12:226955
dc:identifier
42.193.1
ecrm:P3_has_note
A martial commander, richly clad in armor, stands amidst a bustling military encampment, perhaps preparing for departure, with shields, lances, chests and other rich objects piled in front of him. Despite the seeming cohesion of this composition, the design was apparently assembled from a group of existing figure patterns, recognizable from other successful narrative tapestry series designed by artists in the circle of Bernard van Orley and by Pieter Coecke van Aelst. In this instance, the narrative might be that of Iphigenia, the ill-fated daughter of Agamemnon and Clytemnestra, who was sacrificed by her father to appease the goddess Artemis and petition her to enable sailing weather for the Greek fleet waiting to embark from Aulis and invade Troy. It is possible that this tapestry was part of a different edition of the same Story of Iphigenia series, also woven in the workshop of admired, Brussels-based weaver Willem de Kempeneer, inventoried in the collection of François 1er, King of France, in the 1550s (his edition included precious metal-wrapped threads). The tapestry was previously identified in the literature as a Scene from the Old Testament on the grounds of its notable similarity to the Story of David and Bathsheba in the Musée National de la Renaissance, Ecouen.
ecrm:P43_has_dimension
n9:2 n9:1
ecrm:P65_shows_visual_item
n5:743 n5:744
ecrm:P138i_has_representation
n13:cb51ea11-47a8-3a9f-906b-e6e4f17c6e2e n13:4e186172-849e-346c-8c91-1bfa50e9d06c
ecrm:P102_has_title
1535 / 1548, Brussels