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Prefix	IRI
dc	http://purl.org/dc/elements/1.1/
rdfs	http://www.w3.org/2000/01/rdf-schema#
n10	https://www.metmuseum.org/art/collection/search/
n4	http://data.silknow.org/vocabulary/
silk	http://data.silknow.org/ontology/
ecrm	http://erlangen-crm.org/current/
rdf	http://www.w3.org/1999/02/22-rdf-syntax-ns#
n8	http://data.silknow.org/image/
owl	http://www.w3.org/2002/07/owl#
n2	http://data.silknow.org/object/
prov	http://www.w3.org/ns/prov#
xsdh	http://www.w3.org/2001/XMLSchema#
n6	http://data.silknow.org/statement/
n12	http://data.silknow.org/activity/

Subject Item: n2:7904a7cc-2517-3c6e-a222-043f29469b66
rdf:type: ecrm:E22_Man-Made_Object
rdfs:label: 1780~ / 1785~, Paris
rdfs:comment: The Museum has two armchairs (fauteuils à la reine) and two side chairs (chaises courantes) that were made about 1780 by Jacob; one of the armchairs is shown here. The carved and gilded frames reveal the finesse of the woodcarver's technique. The pieces are upholstered in white silk satin embroidered with colored silks; the design is in the style of Philippe de la Salle, the most prominent designer of woven silk fabrics of the period.
owl:sameAs: n10:202142
dc:identifier: 58.75.26
ecrm:P3_has_note: The Museum has two armchairs (fauteuils à la reine) and two side chairs (chaises courantes) that were made about 1780 by Jacob; one of the armchairs is shown here. The carved and gilded frames reveal the finesse of the woodcarver's technique. The pieces are upholstered in white silk satin embroidered with colored silks; the design is in the style of Philippe de la Salle, the most prominent designer of woven silk fabrics of the period.
ecrm:P65_shows_visual_item: n4:743
ecrm:P138i_has_representation: n8:f40a15ae-804c-3743-8f15-4b533376cf4b
ecrm:P102_has_title: 1780~ / 1785~, Paris