This HTML5 document contains 15 embedded RDF statements represented using HTML+Microdata notation.

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Namespace Prefixes

PrefixIRI
dchttp://purl.org/dc/elements/1.1/
rdfshttp://www.w3.org/2000/01/rdf-schema#
n8https://www.metmuseum.org/art/collection/search/
n11http://data.silknow.org/vocabulary/
silkhttp://data.silknow.org/ontology/
ecrmhttp://erlangen-crm.org/current/
rdfhttp://www.w3.org/1999/02/22-rdf-syntax-ns#
n12http://data.silknow.org/image/
owlhttp://www.w3.org/2002/07/owl#
provhttp://www.w3.org/ns/prov#
n5http://data.silknow.org/object/
xsdhhttp://www.w3.org/2001/XMLSchema#
n2http://data.silknow.org/statement/
n4http://data.silknow.org/activity/

Statements

Subject Item
n2:9a4b669f-aae2-5427-89a6-cc3eeb4df3b0
rdf:type
rdf:Statement
rdf:predicate
ecrm:P65_shows_visual_item
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n11:744
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n5:4267f52a-9468-31be-b0f8-f810ee1e4f02
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n4:9a4b669f-aae2-5427-89a6-cc3eeb4df3b0
silk:L18
0.5098
Subject Item
n5:4267f52a-9468-31be-b0f8-f810ee1e4f02
rdf:type
ecrm:E22_Man-Made_Object
rdfs:label
1525~, Brussels
rdfs:comment
Small-scale devotional tapestries like this one were popular among the most elite collections of Europe. One buying trip for twelve such textiles cost Queen Isabella of Castile the equivalent to ten years of the salary she paid the ship’s master on Christopher Columbus’s transatlantic voyage in 1492. A tapestry comparable in size and subject to this one belonged to Isabella’s granddaughter, the Habsburg Queen Catherine of Portugal. The sixteenth-century appeal of this tapestry lay in the skill of its weavers—who rendered the folds of Veronica’s mantle in silver thread, tackling the challenging effect of watery reflections—and in its compelling design. The life-size Veronica, head overlapping the border, seems to step out of the textile and into our space.[Elizabeth Cleland, 2017]
owl:sameAs
n8:226694
dc:identifier
41.190.80
ecrm:P3_has_note
Small-scale devotional tapestries like this one were popular among the most elite collections of Europe. One buying trip for twelve such textiles cost Queen Isabella of Castile the equivalent to ten years of the salary she paid the ship’s master on Christopher Columbus’s transatlantic voyage in 1492. A tapestry comparable in size and subject to this one belonged to Isabella’s granddaughter, the Habsburg Queen Catherine of Portugal. The sixteenth-century appeal of this tapestry lay in the skill of its weavers—who rendered the folds of Veronica’s mantle in silver thread, tackling the challenging effect of watery reflections—and in its compelling design. The life-size Veronica, head overlapping the border, seems to step out of the textile and into our space.[Elizabeth Cleland, 2017]
ecrm:P65_shows_visual_item
n11:744
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n12:af383ef1-51dd-3c2b-b0e4-0f02f11a8bc1
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1525~, Brussels